Haroldo de Campos
Innovative Poetics for a Plural World
Biography
One of the greatest contemporary writers
Haroldo de Campos (1929–2003) was the tireless “Locomotive of São Paulo” who propelled Brazilian literature into the heart of the international avant-garde. As a co-founder of the Concrete Poetry movement, he revolutionized the written word by treating language as a physical, multi-dimensional material. A master of “transcreation,” he viewed translation as a radical act of “cannibalizing” world classics—from Homer and Dante to Joyce and the Bible—to create vibrant, original works in Portuguese. His epic work Galáxias remains a landmark of polyglot experimentalism, bridging the gap between poetry and prose with unmatched vision and verve. Discover the life of the scholar-poet whom Umberto Eco called “the best Dante translator in the world”.
project
‘Planetary Music for Mortal Ears’
Haroldo Pre-Concrete
Poetry and the Generation of 45
Haroldo and the Concrete Moment
Augusto de Campos’s Contribution
Haroldo and Brazilian Literary Tradition
The Recovery and Reinvention of Tradition
Haroldo and the East
Looking East to West
Haroldo and Modernism
Campos and Anglo-American Modernism
Haroldo and Futurism
Campos and Russian Futurist Poetry
Haroldo and the Bible
Campos and the Biblical Tradition
Haroldo and the Epic
Reinterpreting the Western Epic Tradition
Haroldo and Translation
Translation Theories
Haroldo and the Post-Concrete
Post-Concrete Soundings
Haroldo and his Contemporaries
Campos’s Latin American Plural Poetics

A Ira de Aquiles

Os melhores Poemas

Yugen (Cuaderno Japonés)